• The idea is to combine traditional print and form of keffiyeh with classical and elegant foulard
•  It is fashioned from a square scarf, and is usually made of cotton. 
• The keffiyeh is commonly found in arid regions, as it provides protection from sunburn, dust and sand. Towards the end of the 1980s the keffiyeh became a fashion accessoryin the United States, and during the early 2000s it became very popular among teenagers in Tokyo, Japan, where it is often worn with camouflage-style clothing. keffiyeh

• The idea is to combine traditional print and form of keffiyeh with classical and elegant foulard
•  It is fashioned from a square scarf, and is usually made of cotton. 
• The keffiyeh is commonly found in arid regions, as it provides protection from sunburn, dust and sand. Towards the end of the 1980s the keffiyeh became a fashion accessoryin the United States, and during the early 2000s it became very popular among teenagers in Tokyo, Japan, where it is often worn with camouflage-style clothing. keffiyeh

• The idea is to combine traditional print and form of keffiyeh with classical and elegant foulard
•  It is fashioned from a square scarf, and is usually made of cotton. 
• The keffiyeh is commonly found in arid regions, as it provides protection from sunburn, dust and sand. Towards the end of the 1980s the keffiyeh became a fashion accessoryin the United States, and during the early 2000s it became very popular among teenagers in Tokyo, Japan, where it is often worn with camouflage-style clothing. keffiyeh

• The idea is to combine traditional print and form of keffiyeh with classical and elegant foulard
•  It is fashioned from a square scarf, and is usually made of cotton. 
• The keffiyeh is commonly found in arid regions, as it provides protection from sunburn, dust and sand. Towards the end of the 1980s the keffiyeh became a fashion accessoryin the United States, and during the early 2000s it became very popular among teenagers in Tokyo, Japan, where it is often worn with camouflage-style clothing. keffiyeh

• The idea is to combine traditional print and form of keffiyeh with classical and elegant foulard
•  It is fashioned from a square scarf, and is usually made of cotton.
• The keffiyeh is commonly found in arid regions, as it provides protection from sunburn, dust and sand. Towards the end of the 1980s the keffiyeh became a fashion accessoryin the United States, and during the early 2000s it became very popular among teenagers in Tokyo, Japan, where it is often worn with camouflage-style clothing. keffiyeh

Composition:

• viscose
• silk
• polyester 

Composition:

• linen
• viscose
• polyester 

Composition:

• 100% cashmere 
• viscose 
• polyester 

• The idea is to combine traditional print and form of keffiyeh with classical and elegant foulard
•  It is fashioned from a square scarf, and is usually made of cotton. 
• The keffiyeh is commonly found in arid regions, as it provides protection from sunburn, dust and sand. Towards the end of the 1980s the keffiyeh became a fashion accessoryin the United States, and during the early 2000s it became very popular among teenagers in Tokyo, Japan, where it is often worn with camouflage-style clothing. keffiyeh

• The idea is to combine traditional print and form of keffiyeh with classical and elegant foulard
•  It is fashioned from a square scarf, and is usually made of cotton. 
• The keffiyeh is commonly found in arid regions, as it provides protection from sunburn, dust and sand. Towards the end of the 1980s the keffiyeh became a fashion accessoryin the United States, and during the early 2000s it became very popular among teenagers in Tokyo, Japan, where it is often worn with camouflage-style clothing. keffiyeh

• The shawl is made from a blend of silk and indigenous wool fiber that has a light, warm, soft, silky and long-fiber fluff.
• The silk helps hold the shape of the lace, preventing it from needing to be blocked as often as it would without the silk.
• Wool is combined together with foulard, made of 100% pure satin silk. It has the same design, as KIMOONCHO puffer JACKET, made with hand drawings in lake Como, Italy. 

Long scarf made in 100% wool “gessato” and 100% satin silk with KIMOONCHO’S drawings 

Composition:

• wool 90% 10% viscose 
• 100% silk velvet 
• 100% twill silk 

The idea is to use vintage silk foulards by famous brands and give them a new life. Mixing them together with various fine italian fabrics, like silk velvet, wool etc. makes the final product unique and priceless. 

• Cotton is combined together with foulard, made of 100% pure satin silk. It has the same design, as KIMOONCHO puffer JACKET, made with hand drawings in lake Como, Italy. 

Composition:

• wool 90% 10% viscose 
• 100% silk velvet 
• 100% twill silk 

The idea is to use vintage silk foulards by famous brands and give them a new life. Mixing them together with various fine italian fabrics, like silk velvet, wool etc. makes the final product unique and priceless. 

Composition:

• fake faux fur of deep violet color 
• 100% satin silk 

Fake fur, also called faux fur, is known as pile fabric, which is engineered to have the appearance and warmth of animal fur.
It was first introduced on the market in 1929. 
Reports issued by the eco experts of the Ce Delft found that 5 faux fur coats have significantly less impact on climate change then that of one real mink fur coat.

Composition:

• 100% cashmere 
• 100% silk